Wednesday, July 17, 2013

Timothy Motz, Introduction



Hello everyone!  I’m delighted to be joining this group and to make the virtual acquaintance of all of you.  I have come to museum video production by a very roundabout route.  I have worked in art museums for over 30 years and have my doctorate in the History of Art, specializing in Greek and Roman art.  The first ten years of my career were spent as an assistant curator of Ancient Art at the Detroit Institute of Arts.  I backed into video as the Manager of Educational Media in the Education Department at the Toledo Museum of Art, where I have been for the last 20 years.  In that position I was responsible for maintaining the museum web site, designing interactive gallery kiosks, managing audio tour projects, making felt boards, casting crayons into deodorant containers (seriously!), etc.  We bought our first video camera (a Panasonic DVC-30) several years ago thinking that I would be shooting short clips to use in gallery kiosks.  

In January of 2013 the Toledo Museum of Art reorganized its staff into new teams.  I am now a Media Producer in the Design Studio, which is part of the Visitor Engagement team.  The Design Studio is led by our exhibit designer and includes me, two graphic designers, and eventually (budget permitting) a web developer.

Except for a few short training workshops, I am completely self-taught in interactive design and video production, so I’m a little in awe of the rest of you.  If you look at the videos on our YouTube channel you can watch me learn to shoot and edit by trial and error.  I started editing with Premiere Elements and am now working with Premiere Pro CS6.  The museum is Windows-only, and that pretty much determined which editing software I would use.  We now have a Panasonic HMC-150, a Nikon D800, and a D5100.  I’ve been using the Panasonic for a couple of years, but am just investigating the Nikons.  The rest of my equipment is pretty much prosumer level.  I have a couple of Audio-Technica wireless mics, two Shure wired lapel mics,  an Azden SGM-2 shotgun mic, a Røde Videomic Pro, and a little TASCAM digital audio recorder.  Yes, I have a thing for microphones.  You can never have too many of them.  I claimed a castoff set of Lowel Tota lights but am hoping that in this fiscal year I can get some lights that would give me a bit more control.  I am now working on a Dell Precision T3600, which is a relief.  When we made the switch from SD to HD, the shortcomings of my previous computer became painfully obvious.   

I have nothing against buying pro level equipment, but we are serious about budgets here.  I try to spend my budget where it will have the most impact on the product.  My mic boom is a painter’s pole and my equipment cart is a Stanley Fat Max that I bought at Home Depot.  The Fat Max is actually a great equipment cart.

I am not only a one-man band, I have additional duties beyond audio and video production.  In the short term I am still managing Rights and Reproductions and will continue to have some role in photography and AV support.  I’m excited that this group has formed and I’m very interested in what the rest of you are doing.

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